Tuesday, October 26, 2010
Thursday, October 21, 2010
Wednesday, October 20, 2010
Tuesday, August 31, 2010
I had a great conversation with my friend DJ (his initials, not his profession) who's actually had a life this summer so he missed out on the news that “Heroes” had been canceled. I relayed to him my conversation with DH Lawrence XVII, the actor who played Eric Doyle the Puppetmaster (and chronicled here in my blog) and how he gave me some insight from a professional stand-point. I totally understood David H's diplomacy (don't go blasting potential bosses on the Internet), but as a fan, I can voice my disapproval of NBC and the depths of their contempt for us as fans. They are beholden to those who own stock, but profitability and good television are not synonymous (the music industry is a prime example), so they will give you what they think you want and expect that we are not intelligent enough to know the difference.
So I've been subjected to their promotion of two new shows: “The Event”, the recipient of “Heroes” 9pm timeslot (which I will boycott on default), and another show called “The Cape”. “The Event” looks like “Lost” meets “Heroes”, with a little “24” thrown in (anytime you have a Black President, you're going to draw “24” comparisons). I'm not sure about the “Heroes” portion of the show, but there are foreshadowed references to a group of “people” that aren't like regular folks, which means either aliens or mutants, and I just have to give NBC a “C'mon, Son!” Are we really so gullible that you can so obviously rip off other shows, repackage it and expect us to come flocking? USA Network, which is owned by NBC/Universal, has come with original shows with original characters, but NBC can't commit to quality shows and give them a chance. Like “Life”, a thoroughly fantastic show that would fit perfectly alongside “Royal Pains”, “White Collar”, “Burn Notice” and “Monk”. NBC moved it from Monday, to Wednesday, to Friday, then unceremoniously decided to not bring it back. Stupid, stupid, stupid. That's a sign that your network has no faith in you, nor do they care about whether your fanbase can find you. Gone are the days of “Must-See-TV”. We are in the age of the Tweet and the DVR. NBC has no bona-fides like “The Vampire Diaries”, the network answer to the “Twilight” series (which is really unfair to both franchises, the only similarities are the vampires...) and to HBO's hit, “True Blood”. Honestly, the people that like one, usually like the others. Vampires are okay, but well-written vampires are just delicious.
Jumping back to “The Cape”, NBC has gone out of their way to say that their new show is “...nothing like 'Heroes', because there are no superpowers.” Okay, have you folks ever heard of this multi-billionaire playboy who's parents got murdered and inspired him to fight crime in the streets of Gotham? Again... say it with me... “C'mon, Son!” I'm not going for this, folks. You don't cancel (without allowing at least a semblance of resolution, that season finale is NO ending!) one of the best shows ever and give us this garbage in return. You people are idiots, one and all. Suits have no souls, they can't create anything.
On the flipside, I might have to give ABC props on “No Ordinary Family”. I've heard that two former “Smallville” writers (you screw'd the pooch with the Doomsday storyline, folks) and a producer from “Chuck” are on-board with this one, and that means they should/could be good. It's original material, so there's no canon to absolutely destroy in a quest to grab some quick ratings. I'll give them a couple of episodes and see how I like it (it's like a modern-day Fantastic Four), so the jury's still out on that one.
Well, I got chapters to finish... thanks for swinging through the blog, True Believers and True Deceivers... I got you.
-ere'bodee's favorite mega
Monday, August 30, 2010
In the interest of disclosure, and making sure credit is given when due, Brother Roland S. Martin's blog started this stream of consciousness. Here is his podcast from the Tom Joyner Morning Show:
Not since 2008 have I really ventured much into the political landscape, to be honest it became quite exhausting, an endless debate with people who's appeal to xenophobia and ignorance would allow them to dismiss the simplest of fact. Polarized bi-partisan politics have no logic...
Last night Jon Stewart and The Daily Show won an Emmy. I take a fair amount of satisfaction that even in the self-congratulatory industry of Hollywood, “The Daily Show” is recognized for it's voice of reason when there are outlets that thrive on misinformation, and stoke the fires of hatred and discord. Don't make me say it... it's Faux News. They make it up as they go along... It's a Right-leaning tool of Rupert Murdoch to maintain an agenda. If this were a chess board, Glenn Beck is the White Pawn.
So the White Pawn is going to take the Black King. They coincidentally choose the anniversary of the “I Have A Dream” speech and claim that they are going to “reclaim the Civil Rights movement.” This co-opting of the “Rodney King” portion of the Movement. “Can't we all get along?” Doesn't seem like it if there's an effort to make the playing field level.
What we have here, is a case of “White Victimhood” as Brother Roland so succinctly put it. The Tea-Hadist Movement doesn't have any new moves, but they don't really need them. It's the same old attack points over and over again. “Barack Hussein Obama”. Here...we...go...again. It's like these people have a pocket watch swinging back and forth in their face, or they have a trigger word like that old Three Stooges Episode... “Niagara Falls... NIAGARA FALLS?! Slowly I turned...step... by step... inch.. by inch...” Public Enemy, “Fear Of A Black Planet”.
Here we have those who claim they are trying to protect us from “...the spread of radical Islamic elements within the United States...” yet the ones who are setting pipe-bombs are of faiths other than Islam. I won't assume that it's “Christian”, but I doubt that the Buddhists are up-in-arms. Kinda goes against the whole ideology. A wise man once said “Don't judge people by their words, but by their actions.”
How many times does someone have to say “An eye for an eye leaves everyone blind” before someone GETS it??? Beck and the Tea-Hadists played much in the way of lip service to the “Dream” of King, but tried to separate it from the core message of economic equality.
And where were the Black Radio Stations throughout this literal white-wash of Dr. King? Why did they not give time to scholars who could have provided clarity on the Message and Mission of King? Where was Brother Cornell West? Dr. Laura called her caller “hyper-sensitive” and proceeded to “de-sensitize” her by saying the n-word repeatedly. Sarah Failing then comes out in support of her and says “She's no racist.” Then she and Beck (who incidentally called the bi-racial president “...a racist.”) put on this 3-Ring Circus under the guise of “...putting God back in...” and coming out “...for veterans.” Cone on, Son! What criteria do you run on? Do you have to have your lynch-card punched or hang out with David Duke to fully qualify for your Grand Wizard Bobblehead? If it quacks like Daffy Duck, gets its face shot off like Daffy Duck, and is painted black like Daffy Duck, it's the n-word duck.
When it comes to rights, it's pretty damn simple... use 'em, or lose 'em. Don't vote? Lose the right to do so. Don't speak up? Have others dictate your place and position. Like Roland, I won't sit here and drink the Kool-Aid. Let yourself grow weary of due diligence, you'll find that people like Glenn Beck are only-too-happy to liberate you from all this “hard-thinkin'...” you don't have to do that when you're being told what to do.
Dr. Laura has a label for you, you just have to put “dumb” in front of it.
-ere'bodee's favorite mega, blogninja
Sunday, August 29, 2010
I know the cool thing to do is to counter the culture, buck the system, that's a lot of what HipHop was about, and a lot of what's happened to it. I've been alive just about the same amount of time that HipHop has, I've grown with it, and I've seen all the cycles. Anti-disestablishmentarianism at it's best. (Yes, that is a word...) Musicians in the ghetto couldn't afford instruments, so the turntable became our instrument. We took technology that wasn't really meant for us (TR808, SP1200, they were not designed with us in mind the way the MPC was), and carved out a space in history, all the while they labeled us a fad. HipHop is approaching it's 40th Anniversary. Success breeds discord, and it's all-too-often I hear musicians decry “HipHop sucks.” They say it's not music. Say what you will... we ain't going nowhere.
Everybody 'hates' Twilight right now. There's a spoof movie coming out called "Vampires Suck". “Real” men call it “gay”. Vampire purists say that the vampires aren't supposed to “glitter like diamonds” in the sun, they are supposed to explode. To the real men I say “Get over your homophobic selves.” To the pseudo-vampire experts, I say go back through literature and see just how much and often authors take liberty with the undead lore. Sometimes crucifixes work, sometimes they don't. Some vampires are burned by holy water, some gargle it and spit it back in your face. People were none-too-thrilled with Ann Rice's depictions of the Children of the Night. Her vampires were seriously homoerotic. Nothing was more beautiful to a vampire as another vampire, male or female. Every possible objection I've heard has been pretty much from the insipid to the inane. The only reason people hate Twilight is because someone else hated it, so they hate it too. I guess with "True Blood", "Vampire Diaries", and "Twilight" there has to be some vampire backlash, but the three of them are similar only in that they have vampires... Hammerheads, Angels, and Great Whites are all sharks, but nobody could argue that they are all the same. (Honorable mention goes to "The Gates", I hope you find an audience....)
So for those who don't have the time to open a real ink-and-paper book, here's the preface of “Breaking Dawn”, the fourth book in the Twilight Series:
I'd had more than my fair share of near-death experiences; it wasn't something you ever really got used to.
It seemed oddly inevitable, though, facing death again. Like, I really was marked for disaster. I'd escaped time and time, again, but it kept coming back for me.
Still, this time was so different from the others.
You could run from someone you feared, you try to fight someone you hated. All my reactions were geared toward those kinds of killers- the monsters, the enemies.
When you loved the one who was killing you, it left you no options. How could you run, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it?
If it was someone you truly loved?
I don't know how many of you have ever attempted to write something, anything, but let me tell you as someone who has, that is a serious bit of writing for setting tone. This character is faced with a question none of us want to ever have to answer. Any good drama is conflict and the resolution of said conflict. Can you give up your life for someone you loved? I can see a good many balking for romantic love, but at the risk of being a slight bit spoiler, what if it was your child? Further still, she's established that the character is no stranger to peril, has escaped it on multiple occasions, yet somehow it circles back for her. The experience has not changed her, she reveals with “it wasn't something you ever really get used to.”
Maybe my appreciation for Stephenie Meyer is amplified due to my own endeavors in storytelling, but am I wrong? This is good shit. I'll be honest with you, I hated the first movie. If I had been an obnoxious know-it-all like a lot of other people I know, everything could have come to an end right there. Someone who was a fan of Meyer asked me to to read “The Host”, another of her books to get away from the vampire hype and assess Meyer as a writer.
“The Host” was fantastic, and if I felt that way about that book, I had to give “Twilight” the book a try and forget the fluff that was the movie. Smart move on my part, that's why I love being me.
After reading the book, I understood exactly what it was about the first movie that I didn't like: much of the book takes place in Bella's head, and that would have made the movie one giant voice-over. I've heard that is not something you should over-use when working on a film, but it's integral in it's written form. I read somewhere that the voice-over is a lazy film writer's tool. When you took away key elements of the storytelling, the story lost a little something. I think they managed to get back on track with “New Moon”, but we all know that movies are less than books.
So anyway, it's been so very long since I blogged, just wanted to get that out of my head and on to your screens. Thanks for reading, the middling few that do anymore, and I hope you're reading other things besides me. There's so much good writing out there...
-ere'bodee's favorite mega, blogninja